Watch the movie trailer at http://video.nytimes.com/video/2010/12/02/movies/1248069395412/a-scene-from-black-swan.html and answer the questions and tell us how different it is from the original script.
Questions about context.
- What role is she playing first?
- What is she required to do for the black swan's role?
- In the end, is she being considered for such roles? Why not?
Script:
He leans in and walks softly so the other girls can’t hear.
He leans in and walks softly so the other girls can’t hear.
Brennan: If I was only guessing the white swan, it should be yours.
She can’t help but smile, flattered. He pulls away from her.
Brennan: But I’m not. Maestro, Odile’s Coda please.
Brennan: Now, show me your black swan, Nina.
Nervous, she glances over at Veronica and Galina, who anxiously await their turn.
The piano player rifles through the song book.
She takes a few breaths, then looks towards the piano player and nods.
She takes a few breaths, then looks towards the piano player and nods.
The music begins.
Brennan:Not so controlled! Seduce us! Not just the prince, but the court, the audience, the entire world, come on, the fouettes (spins) are like a spider spinning the web, attack it, attack it, come on!
Brennan: Well, good of you to join us.
Lilly:Sorry
A look of worry spreads across Nina’s face. Knows she’s blowing it.
Brennan: Girls, this is Lilly straight off the plane from San Francisco, she’s filling Rebecca’s old spot. Get warmed up.
Lilly:That’s OK, I’m good.
Nina: Should I go again?
Brennan:No thanks, I’ve seen enough. Ok, Veronica, the white swan variation.
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